Posts Tagged :

Noise

Unsane, Industrial Puke & We Live In Trenches 18/3 150 150 Monument 031

Unsane, Industrial Puke & We Live In Trenches 18/3

UNSANE, INDUSTRIAL PUKE & WE LIVE IN TRENCHES 18/3

New York Citys legendary, genre-defining noise metal trio UNSANE are finally coming back to Gothenburg!

Hardcore, punk, metal, noise – call it what you want – regardless, the fact remains that this powerhouse set the tone back in the 90’s and folks are still playing catch-up. Rumor has it that this tour will focus on the early material and that means ”Committed” could very well destroy you on stage come March 18th at Monument.

Support by:
Industrial Puke skriver om det de kan bäst och klär det i lika delar metal, hardcore, döds och crust. Album nummer två “Alive To No Avail” utvecklar det frenetiska uttrycket av ytterlighetens diskbänksrealism till direkt och konfrontativt högenergiskt mangel med plats för dynamik och tyngd.

Första albumet ”Born Into the Twisting Rope” fick strålande respons och korades vid Manifestgalan till Sveriges bästa metalskiva 2023.

“Alive To No Avail” har hyllats för en mer äventyrlig kompromisslöshet utan att tappa halsgreppet om lyssnaren. Under 2025 har Industrial Puke bla delat scen med Rotten Sound och spelat på SWR Metal Fest i Portugal med Aura Noir, Concrete Winds. Under hösten/vintern 25/26 spelar Industrial Puke bl.a i Oslo, Växjö, Borås, Stockholm och Göteborg med sikte på fler gigs under 2026. Bandet har även påbörjat arbetet med album nummer tre och planerar att färdigställa detta under det kommande året.

WE LIVE IN TRENCHES har alltid skyndat långsamt.
Sedan starten 2007 har de existerat i ett envist kretslopp av repetition, nötning och vägran — i sin egen takt, likgiltiga inför relevanscykler och produktivitetskrav.
Musiken är en rå hybrid av noise rock och hardcore punk — kärv, malande och dissonant. Den är högljudd och aggressivt funktionell, med det primitiva drivet från The Stooges, det dissonanta malandet hos Flipper, och en långsammare, utdragen variant av Discharge. De kallar det själva för ”idiot rock”: ett ljudmässigt svar på en värld som inte förtjänar att förfinas.

 

Tickets: https://secure.tickster.com/tbvlkrelk8x5ud8

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Artist: Unsane + Industrial Puke & We Live In Trenches
Datum: Onsdag 18e mars
Ålder: 18+
Förköp: 225kr + service (biljetter i dörren kostar alltid 50kr mer av totalpriset)

Frågor om väskförbud, tillgänglighet eller dylikt? Kolla in vår FAQ

WHORES. + Help 11/5 150 150 Monument 031

WHORES. + Help 11/5

WHORES. + HELP 11/5

On a Sunday in May, war comes to town. It comes in the shape of violent, bonecrushing noise. It comes in the shape of WHORES. and HELP.

You have been warned.

Tickets out now via:https://secure.tickster.com/sv/ubey394j0dc4eh2/products

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WHORES.
Formed in 2010 in Atlanta, Georgia, WHORES. has established themselves as one of the most successful and motivated bands in the noise-rock genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores. are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come.

HELP
Help is the frenzied sound of a broken and collapsing society realized as a noise-punk band from Portland, Oregon.

Formed in 2018 by Ryan Neighbors (Guitar/vocals), Morty (bass), and Bim Ditson (drums), the members of HELP spent the previous decade or so in more restrained bands. Ditson with grinding indie rockers And And And, Neighbors with alt-pop dynamos Portugal. The Man and with his electronic project Hustle and Drone. And Morty, Morty has been around the track once or twice. With Help, they are retrieving the punk roots each member had
put down in their teens. They are ripping the seams back open
to see what’s really inside.

”Everyone is angry,” says Neighbors, ”Make some art about it.”

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Artist: WHORES. + Help
Datum: Söndag 11/5
Ålder: 18+ (13 i målsmans sällskap)
Förköp: 200kr + service (biljetter i dörren kostar alltid 50kr mer av totalpriset)

Frågor om väskförbud, tillgänglighet eller dylikt? Kolla in vår FAQ monument031.com/faq

CANCELLED: Kollapse (DK) & New Money (DK) + Blessings 12/12 150 150 Monument 031

CANCELLED: Kollapse (DK) & New Money (DK) + Blessings 12/12

THIS SHOW HAS BEEN CANCELLED. AUTOMATIC REFUNDS ARE BEING PROCESSED.

What would December look like without some hardcore/sludge/noise from our neighbors in the south? We have no idea and we don’t intend to find out as we let KOLLAPSE and NEW MONEY ravage the stage on Thursday December 12th.

Local support in the form of BLESSINGS has been added and you, you will be present.

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KOLLAPSE: The music of Kollapse is a pulsating building and releasing of tension. A crossbreed of noise rock, sludge- and experimental metal. A noisy, discordant spectacle of intensity. Beauty and terror coexist as the trio dig into the fabric of existence as a frail creature, hopelessly aware of its own mortality.

On stage, Kollapse weave a dark cocoon around it’s audience only to violently slice it open and drown them in sonic viscera.

NEW MONEY: From the underbelly of Copenhagen emerges NEW MONEY — a band that doesn’t merely play music, but wields it as a weapon. With a sound deeply rooted in chaotic hardcore and noise rock, they’re making their mark by delivering powerful, unfiltered music that refuses to be boxed in.

BLESSINGS: Gothenburg 4-piece Blessings merges the diverse elements of hardcore, punk, crust, and noise rock into a unique and compelling sound. Drawing comparisons to bands like At The Drive-In and Converge, their music often blends intense post-rock atmospheres with raw, heavy energy—all within a single track. The members come from a DIY punk and hardcore background, having played in various touring bands such as Anchor, Scraps of Tape, Obstruktion, Amalthea, and Gamla Pengar. In 2019, Swedish music magazine Gaffa hailed Blessings as one of the best metal acts of the year following the release of ”Biskopskniven”. Their music has been described as rhythmically complex, dark, and apocalyptic, while still remaining surprisingly catchy.